Music Man Clive Davis, 80, Out With a Memoir, Reveals He Also Likes Boys But Does Not Like Kelly Clarkson

“I refuse to be bullied, and I just have to clear up his memory lapses and misinformation for myself and for my fans,” the chart-topper says in a lengthy letter posted Tuesday on WhoSay. “It feels like a violation. Growing up is awesome because you learn you don’t have to cower to anyone — even Clive Davis.”–Kelly Clarkson

None of the American Idols are on my all-time Hit Parade, but Clarkson’s bratty 00290065-0000-0000-0000-000000000000_913e6ef8-b8d5-4f20-9d47-e99c063550a6_20130219210903_h_00677095response to Davis’ book proves his claim that ‘she often speaks in public before she realizes the implications of what she’s saying’. Describing creative differences with Davis as “bullying” trivializes the pain and lifelong trauma suffered by actual victims — something the very lucky
(notice I didn’t say talented)  and  successful Clarkson is not. Using words like violation and cower also imply a level of abuse which I doubt existed
between the music exec. and the young singer.

Davis’ version of the feud  from the book, “The Soundtrack Of My Life”, in which the twice-married Davis also admitted that his Facebok status should change to  “bi-sexual” and “in a relationship” with a man. Kudos for his candor and courage in coming out at last. The book was released yesterday and is already a bestseller.:

On “Since U Been Gone”… “… you have to take direction. Kelly didn’t like it. Max and Luke were merciless in pursuit of getting the right performance for their song. Kelly got her back up, and, from her perspective, she had a horrible experience in the studio. She’d never work with them again, she said … I could not have been more thrilled. … Everyone loved the end result, and I could just feel the momentum building. … RCA was having an international convention in New York that I would be addressing. … I played the songs. … On the basis of those two songs, Kelly had been prioritized for massive worldwide success.

In the meantime, before any of this transpired, Kelly had requested a meeting with me, which was scheduled for the day after the international meeting… To this point I had never really spent much personal time with her… Kelly began the meeting by saying, ‘I want to be direct and to the point. I hate ‘Since U Been Gone,’ and I hate ‘Behind These Hazel Eyes.’ I didn’t like working with Max Martin and Dr. Luke, and I don’t like the end product. I really want both songs off of my album.’ I sat there, shocked… I said, … ‘I had to use a lot for personal leverage and persuasiveness to get those songs for you… You are going to be the top international priority. Why? Because of “Since U Been Gone’ and ‘Behind These Hazel Eyes.’ I beg of you to understand the bigger picture here. Your first two singles must have tempo, must have drive, and must have edge. Consequently, I can’t take them off the album. I just can’t.’

It was a very tough conversation, and it didn’t get any easier when Kelly burst into hysterical sobbing. We all just sat there as she cried for several minutes. No one knew what to say. Then she left to go to the ladies’ room. When she came back the tension in the room was thick… ‘What you’re asking me to do is impossible. I’ve committed to all our executives all over the world. The stakes are just too high. ‘Since U Been Gone’ is going to be the first single, and it’s going to be a game-changer for you.’ Kelly didn’t say another word. She just looked at me with red, puffy eyes and a swollen face, and got up to leave. I truly felt awful. I’ve had differences of opinion with artists and my share of tough meetings, but I really had never been in a situation like that before. Of course, the rest is history…”